RYUICHI SAKAMOTO
& TIN DRUM
KAGAMI＋
- Exhibition Period
- From Saturday, June 27, 2026
October 12th (holiday/Monday) - Venue
-
VS.
Umekita Park North Park
Grand Green Osaka, 6-86 Ofuka-cho, Kita-ku, Osaka 530-0011 Japan ACCESS - Opening hours
- 10:00-20:00 (Specified date and time)
- Closed days
- Monday (or the weekday following a public holiday or long weekend)
- Organizers: Tin Drum / KAB Inc. / commmons / VS. / WOWOW
- Special Sponsors: Digital Garage, Inc., Tabelog
- Sponsored by: New Balance Japan Co., Ltd., Kyoto University of the Arts, Hot Stuff Promotion Co., Ltd. , G-VEX Inc., Sony Corporation, Suntory Whisky Ao109 Cinemas Premium Shinjuku
SAION, a premium pure sound system. Resona Bank, Ltd.Sekisui House Co., Ltd.Sunrise Promotion,ANA DUTY FREE SHOP (ANA Trading Duty Free Co., Ltd.)ANA FESTA (ANA FESTA Co., Ltd.)ANA Shopping A-style (ANA Trading Co., Ltd.)mPOS (ANA Digital Gate Co., Ltd.) - In cooperation with: Ushio Lighting Inc., d&b audiotechnik, Takenaka Corporation, Promax Inc., Yamaha Music Japan Co., Ltd., Knowledge Capital Association, ADAM ET ROPÉ, Central Japan Railway Company, Kansai Airports Co., Ltd., PRG JAPAN, MBS Television, ABC Television, Kansai Telecasting Corporation, Yomiuri Television
- Supported by: FM COCOLO
- Production assistance: Dumb Type Office, Alsafix, Eastern Sound Factory Co., Ltd., Yamaha Corporation, KAB America Inc., Denon Engineering Co., Ltd., Ryu Co., Ltd., Creative Universe Co., Ltd.
- Venue construction: 871 DESIGN INC., Gordo Co., Ltd.
- Public relations support: Sotaro Hoji (Tsuzuku), Ito Research Institute Co., Ltd., itskn LLC.
- Public Relations: commmons, VS. Joint Venture, 2nd Effort Produce inc., Sunrise Promotion
- Visual design and art direction: GOO CHOKI PAR
Close enough to touch:
The magic of Ryuichi Sakamoto’s
KAGAMI makes its Japan debut.
Ryuichi Sakamoto’s piano returns to life in KAGAMI, an immersive solo performance made possible through a unique presentation using mixed reality (MR) technology developed for this project — a collaboration Sakamoto and producers Tin Drum worked on together during the last four years of his life.
First premiered at The Shed (New York City) in 2023, KAGAMI has continued to enthrall audiences around the world with performances including Manchester, London, Taipei, Singapore, Melbourne, Italy, Hong Kong, and now Japan.
The Japan presentation of KAGAMI introduces an expanded version of the work, produced specially for this exhibition.
KAGAMI offers a uniquely intimate concert experience, resonating both with longtime fans and with those discovering a Sakamoto performance for the first time.
As the performance begins, a virtual likeness of Sakamoto materializes in the venue through a unique dimensional photographic capture. Seated at his iconic grand piano and accompanied by ethereal 3D visuals designed to complement the music, the late composer appears through special optically transparent headsets with striking photorealistic clarity — seemingly close enough to reach out and touch his silver hair.
This multisensory event also features video, photographs, text, and even a fragrance blended by Sakamoto himself.
The Guardian (UK) gave it a rare ★★★★★ review, calling it "A magical experience that many people probably wouldn't have had the chance to experience during his lifetime."
KAGAMI is an ambrosially quiet yet profoundly reflective mirror of the music of Ryuichi Sakamoto.
EXHIBITION
TICKETS
- RED TICKET
- (Date & Time Specified Ticket · Includes Visitor-Exclusive Special Gift)
- BLUE TICKET
- (Date & Time Specified Ticket)
- RED TICKET
- (Date & Time Specified Ticket · Includes Visitor-Exclusive Special Gift)
- BLUE TICKET
- (Date & Time Specified Ticket)
Please read the following carefully before purchasing your ticket.
How to purchase tickets
- To ensure a smooth experience, please purchase your tickets in advance before arriving.
- Please note that tickets can only be purchased via smartphone; purchases cannot be made using computers, tablets, or other devices.
- Tickets will only be issued electronically. Paper tickets are not available.
- To receive your tickets, you will need to install the eplus app (free) and verify your phone number. For more details about electronic tickets ("SmaTicket"), please click here .
Important Notice Regarding Ticket Purchases
- Your ticket grants access to the KAGAMI (MR content) experience as well as multiple exhibition works. The viewing time for KAGAMI is approximately 60 minutes for RED TICKET holders and approximately 30 minutes for BLUE TICKET holders.
- If you are purchasing both a RED TICKET and a BLUE TICKET, please be aware that your session times may conflict.
- Children aged 12 and under are not permitted entry due to the nature of Mixed Reality (MR) technology used in these experiences.
- Tickets are valid for your selected date and time only. Please arrive at least 10 minutes before your scheduled entry time, as late arrivals will not be admitted.
- All sales are final. No changes or refunds will be accommodated under any circumstances. Please carefully verify your selected date and time before completing your purchase.
Children 12 and Under Not Permitted & Wheelchair Accessibility
- Children aged 12 and under are not permitted entry to the experience due to the nature of Mixed Reality (MR) technology This ensures the safety and comfort of all visitors.
- Wheelchair users are welcome. One caregiver per wheelchair user may accompany them free of charge without a ticket. Please note that caregivers will not have access to the KAGAMI (MR content) experience, but are welcome to enjoy all other exhibitions.
Entry & Exit
- Please arrive at the venue, VS. 1F (park side entrance), no later than 10 minutes before your scheduled entry time. Please note that late arrivals will not be admitted.
- If you have purchased a Student Discount ticket, please present a valid student ID at the front desk. Failure to do so will result in being charged the general admission price.
- Re-entry is not permitted.
- During peak hours, you may be asked to wait before entering the venue.
Important Notes Regarding the Mixed Reality (MR) Experience
- This experience utilizes Mixed Reality (MR) technology. While the experience has been designed with your physical comfort in mind, in rare cases some guests may feel unwell. If you experience any discomfort, please notify a staff member immediately.
- For guests who wear glasses, we have prescription lenses available to accommodate standard prescriptions. Please note that availability is limited, so we may not be able to meet all requests. For the best viewing experience, we recommend wearing contact lenses.
- If you feel unwell during the experience, or if any technical issues occur, please remove your headset immediately and notify a nearby staff member.
- For safety reasons, staff members reserve the right to stop your session at their discretion.
- The organizers cannot be held responsible for any accidents, illness, or injuries that occur during the experience.
- Guests may be held liable for repair costs or damages resulting from their own negligence.
Exhibition Area, Code of Conduct, Photography & Recording
<Exhibition Area Guidelines>
- During peak times, our staff may approach you from a safety management perspective.
- In the event of high attendance, entry may be temporarily restricted.
- Please do not touch the artworks on display.
<Code of Conduct>
- Please follow all instructions given by staff at all times. Guests who fail to comply may be asked to leave the venue.
- Any behavior that interferes with other guests' experience, dangerous or disruptive behavior is strictly prohibited.
- Outside food and beverages are not permitted inside the venue, except beverages with a sealed lid.
- Please refrain from bringing large luggage such as carry-on bags or umbrellas into the venue. We ask that you please use coin lockers at the station or nearby facilities whenever possible before arriving. Please note that there is no manned cloakroom at the venue. If you must bring such items, we may guide you to a temporary luggage storage area at the reception. Please keep your valuables with you at all times.
- Flammable materials and other hazardous items are strictly prohibited.
- Pets and animals (including insects) are not permitted inside the venue. Please note that certified assistance dogs (guide dogs, hearing dogs, and service dogs) are exempt from this policy.
- The resale of tickets is strictly prohibited. The organizers accept no responsibility for any issues arising from tickets that have been fraudulently purchased or obtained. Please be aware that guests found to be in possession of fraudulently obtained tickets will be refused entry.
<Photography & Recording Policy>
- Please be considerate of other guests by keeping noise and light from mobile phones, smartphones, and other electronic devices to a minimum during the experience.
- Photography and video recording are welcome. Audio recording and live streaming are strictly prohibited inside the venue.
- Tripods, selfie sticks, gimbals, and similar equipment are not permitted inside the venue.
- Commercial photography and press coverage require prior authorization. Unauthorized commercial shoots will not be permitted.
- Please be aware that the organizers may photograph and film the venue, including the exhibition and entry queues, for documentation and promotional purposes. Such materials may be used by the organizers and authorized third parties for public relations and advertising purposes. We appreciate your understanding.
RED TICKET
"KAGAMI (MR content)" (approximately 60 minutes)
Exhibition viewing and visitor-only bonus: EP record included.
Price: ¥15,000 (tax included)
Purchases can only be made via smartphone (PC not supported).
All sales are final. No changes or refunds will be issued.
Please carefully verify your date and time before completing your purchase.
- Open seating (seats are arranged in a circular layout, ensuring a comfortable viewing experience from every seat)
- Each ticket allows you to attend one KAGAMI performance (limited to the performance at the time indicated on the ticket).
- The times listed above include waiting and preparation time.
7-inch Analog Record
"An edition for the KAGAMI+ RED"
Side A 1. Energy Flow Side B 1. BB
spoken introductions by Ryuichi Sakamoto
- Gifts will be distributed following the KAGAMI (MR content) viewing session. (On the day of your visit only)
- Returns and exchanges are not accepted, except for defective items.
All sales are final. No changes or refunds will be issued.
Please carefully verify your date and time before completing your purchase.
BLUE TICKET
"KAGAMI (MR content)" trial version (approximately 30 minutes)
Includes exhibition admission
General: ¥4,500 (tax included)
Student Discount: ¥2,500 (tax included)
Purchases can only be made via smartphone (PC not supported).
All sales are final. No changes or refunds will be issued.
Please carefully verify your date and time before completing your purchase.
- It's all standing room only; there are no seats.
- Each ticket allows you to attend one KAGAMI performance (limited to the performance at the time indicated on the ticket).
- The times listed above include waiting and preparation time.
All sales are final. No changes or refunds will be issued.
Please carefully verify your date and time before completing your purchase.
For ticket inquiries
CONTACT e＋EXHIBITS
Venue map
1. KAGAMI: INDUCTION
2. KAGAMI: RED - COMPLETE
3. KAGAMI: BLUE - ESSENCE
4. Ryuichi Sakamoto + Shiro Takatani: TIME, TIME
5. Ryuichi Sakamoto: Playing the Piano 2026 – D
6. Ryuichi Sakamoto: Music - open reel listening room
Official Shop Information
The official shop for "KAGAMI+", featuring official merchandise, CDs, records, books, and other goods by Ryuichi Sakamoto, has opened inside THE Lab. Active Lab on the 2nd floor of the North Building of Grand Front Osaka.
VS. It is located on the 2nd floor of the North Building of "Grand Front Osaka," across the street.
*The bandana given as a special gift for riding the JR Tokai x Ryuichi Sakamoto "Oshi Tabi" train is available at this "KAGAMI+" official shop.
530-0011
THE Lab. Active Lab, 2nd Floor, Knowledge Capital, North Building, Grand Front Osaka, 3-1 Ofuka-cho, Kita-ku, Osaka City
Ryuichi Sakamoto & Tin Drum "KAGAMI+" Official Shop
KAGAMI
Ryuichi Sakamoto’s piano returns to life in KAGAMI, an immersive solo performance made possible through a unique presentation using Mixed Reality (MR) technology developed for this project — a collaboration Sakamoto and producers Tin Drum worked on together during the last four years of his life.
First premiered at The Shed (New York City) in 2023, KAGAMI has continued to enthrall audiences around the world with performances in Manchester, London, Taipei, Singapore, Melbourne, Hong Kong, Pesaro (the Italian City of Culture), and now Japan.
The Japan presentation of KAGAMI introduces an expanded version of the work, produced specially for this exhibition.
KAGAMI offers a uniquely intimate concert experience, resonating with both longtime fans and those discovering Sakamoto’s work for the first time. As the performance begins, an authentic representation of Sakamoto materializes in the venue through a unique form of dimensional photographic capture. Seated at his iconic grand piano and accompanied by ethereal 3D visuals designed to complement the music, the late composer appears through special optically transparent headsets with striking photorealistic clarity — seemingly close enough to reach out and touch his silver hair.
This multisensory event also features video, photographs, text, and even a fragrance blended by Sakamoto himself.
The Guardian (UK) gave it a rare ★★★★★ review, calling it “A magical experience that many people probably wouldn't have had the chance to experience during his lifetime.”
“KAGAMI is both energetic and meditative, a profoundly reflective mirror of the music of Ryuichi Sakamoto.
KAGAMI: BLUE - ESSENCE
Immerse yourself in the captivating world of KAGAMI, a Mixed Reality experience that brings Ryuichi Sakamoto's piano performance to life through a stunning blend of 3D capture and CG processing. Wearing headsets, audiences enter a virtual concert space where dreamlike and melancholic visual effects unfold around Sakamoto's dynamic performance within a Mixed Reality space. This special “ESSENCE version” offers an exclusive opportunity to experience five pieces from the world of KAGAMI.
Ryuichi Sakamoto + Shiro Takatani TIME, TIME
Based on the theatrical piece TIME which premiered at the Holland Festival (Amsterdam, Netherlands) in 2021. In TIME, Sakamoto develops the 'asynchronicity' he explored in his album async and presents the question 'What is time?' through an expression that can be called a musical drama influenced by Noh. Inspired by Soseki Natsume's Ten Nights of Dreams (First Night), the Noh play Kantan, and Zhuangzi's Butterfly Dream, this attempt interweaves moments and eternity, brief slumbers, and the hundred years within dreams, challenging the very concepts of time and existence. Also depicted is the symbolic struggle of humans pushing themselves to exhaustion against overwhelming forces of nature. This theatrical piece and installation were originally conceived as inseparable entities. In TIME, TIME, 'water,' serves as the stage, a substance that has held deep significance in Sakamoto’s work. The piece combines newly shot footage by Takatani, featuring Mayumi Miyata playing the sho, with images of Min Tanaka from TIME. The performance is structured on three screens to present the three elements from TIME: 'Creating a Path,' Kantan, and Ten Nights of Dreams.
Sakamoto's music flows freely between these elements, creating a dreamlike world without beginning or end that transcends time and space, quietly expanding before the audience.
Ryuichi Sakamoto: Playing the Piano 2026 – D
Using Ryuichi Sakamoto’s performance data, this special program brings his music back to life through the grand piano he cherished for so many years.
In September 2025, at the same venue VS., "sakamotocommon OSAKA 1970/2025/Osaka/Ryuichi Sakamoto" attracted many visitors day after day, who gathered quietly around the piano, listening to the memories of Ryuichi Sakamoto's performances that seemed to linger in its keys. For 2026, a new selection has been drawn from his personal archive of performance data.
Set list
Aubade 2020
Perspective
Put Your Hands Up
Reversing
・Bolerish
Dear Liz
Seven Samurai
Cooperation by Yamaha Corporation, Yamaha Music Japan Co., Ltd., OFFICE INTENZIO, XEBEX Inc.
Ryuichi Sakamoto: Musics - open reel listening room
Ryuichi Sakamoto’s original albums played on open-reel analog tape.
Crafted from uncompressed master files, these tapes bring you as close as possible to the world of sound Ryuichi Sakamoto listened to in his studio, inviting you to fully immerse yourself in his work.
Albums Presented on Open-Reel Tape:
“Ongaku Zukan” (1984)
“Esperanto” (1985)
“CHASM” (2004)
“out of noise - R” (2009 / 2024 remaster)
“async“(2017)
“12” (2023)
Cooperation by EASTERN SOUND FACTORY Co., Ltd.、871 DESIGN INC.
VOICES
FROM THE PREVIEW
CHECK
GOO CHOKI PAR
CHECK
Shuta Hasunuma
CHECK
U-zhaan
CHECK
Aimi Kusakari
CHECK
Ai Otsuka
CHECK
Akira Asada
CHECK
Aoi Yamada
CHECK
Shiro Takatani
CHECK
Fumiko Noguchi
CHECK
ILL SWAG GAGA (Umeda Cypher)
CHECK
Cosaqu (Umeda Cypher)
CHECK
peko (Umeda Cypher)
CHECK
Otonashi Fumiya
CHECK
Takeshi Higashi
CHECK
ONI (Afrirampo)
CHECK
PIKA☆(Afrirampo)
CHECK
Reiya Terakubo
CHECK
Shigeki Hattori
CHECK
Marihiko Hara
CHECK
Keigo Oyamada
CHECK
ESME MORI
CHECK
Yumiko Ohno (Buffalo Daughter)
CHECK
Serika Toa
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YoshimiO
CHECK
guca owl & jelonica
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Hiroshi Kado
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Shinichi Osawa
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Yoshio Otani
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Kouatsu Katagiri
CHECK
Hayato Kadono
CHECK
∈Y∋
CHECK
Jiro Endo
NEWS
-
Only a short time left until closing! The Night Museum, which was a huge hit during the Silver Week in September, will be held again on weekends only!
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Silver Week: KAGAMI NIGHT MUSEUM will be held for a limited time of 5 days, from Saturday, September 19th to Wednesday, September 23rd.
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The first official guide book for "KAGAMI," a work that captures Ryuichi Sakamoto's piano performance in three dimensions and recreates it in a mixed reality (MR) space, will be released on August 28th.
CAST &
CREATIVE TEAM
-
CHECK
Ryuichi
Sakamoto -
Artist
Photo by Neo Sora ©2022 KAB Inc.
-
CHECK
Todd Eckert
-
Director
Photo by Rachel Louise Brown
-
CHECK
Tin Drum
-
Production Team
CREATIVE TEAM
-
Ryuichi
Sakamoto -
Artist
Photo by Neo Sora ©2022 KAB Inc. OFFICIAL SITE
Born in Tokyo in 1952, Ryuichi Sakamoto completed his master’s degree at the Tokyo University of the Arts. He made his solo debut in 1978 with the album Thousand Knives. That same year, he co-founded the influential electronic music group Yellow Magic Orchestra (YMO).
After the group disbanded in 1983, Sakamoto continued to pursue innovative musical expression through works such as Illustrated Musical Encyclopedia, BEAUTY, async, and 12, earning worldwide acclaim for his ever-evolving sound.
In film music, he received the BAFTA Award for Best Film Music for Merry Christmas, Mr. Lawrence, and later won the Academy Award, Golden Globe, and Grammy Award for his score for The Last Emperor, among many other honors.
Beyond music, Sakamoto actively expanded into the arts, creating stage works such as LIFE and TIME, and presenting large-scale installation exhibitions in countries including Korea and China. He was also deeply engaged with environmental and peace-related issues. He founded the forest conservation organization more trees and established the Tohoku Youth Orchestra to support the musical activities of children affected by the Great East Japan Earthquake.
Ryuichi Sakamoto passed away on March 28, 2023.
CREATIVE TEAM
-
Todd Eckert
-
Director
Photo by Rachel Louise Brown
Todd Eckert has always been driven by music. He was first published as a music journalist at the age of 14 and became an editor of the US national OnlyMusic Magazine at 17. He produced the Cannes Film Festival premiered feature film Control about Ian Curtis, the lead singer in Joy Division. In 2012, he joined the mixed reality technology group Magic Leap and served as director of content development before leaving to found Tin Drum in 2016. Eckert directed Marina Abramović in The Life, which premiered in 2019 as the world’s first mixed reality, large-scale public performance. He commissioned and produced Tin Drum’s most recent work, An Ark.
CREATIVE TEAM
-
Tin Drum
-
Production Team
OFFICIAL SITE
Tin Drum is the world’s premier studio producing content for mixed reality devices. Founded in 2016 by Todd Eckert, this New York City-based collective of artists, engineers, designers, and technologists blends uniquely dimensional forms with the real world to create experiences impossible through other media. The results are without modern precedent and are changing the definition of engagement in recorded performance. Tin Drum creates content in collaboration with world-renowned artists, creators, and performers, most recently working with Sir Ian McKellen in the MR play An Ark.
CREDITS
KAGAMI By Ryuichi Sakamoto & Tin Drum
- Ryuichi Sakamoto
- Composer and Performer
- Todd Eckert
- Director, Producer and Art Director
- Norika Sora
- Producer
- Tomaso Cariboni
- Technical Producer
- Mary Hickson
- Creative Producer
- ZAK
- Sound System Design and Recording Engineer
- Matt Hermans
- Engineering Director & Science Lead
- Seth Reiser
- Lighting Designer
- Chris Connors
- Osaka Design & Audience Choreography
- Laurentiu Fenes
- Lead Developer and Additional Art Design
- William Knapp
- Production Manager
Audio Department
- Takeo Watanabe
- Drawing implementation and tuning
- Equipment procurement and Array Calc Design
- d&b audiotechnik
- Ayumi Hanano
- Audio System Designer
- Satoshi Hama
- Playback Engineer
- Kosaku Namikawa
- Playback Engineer
Lighting Department
- Keisuke Yoshitugu
- Lighting Director
- Seishiro Okumura
- Lighting Programmer
- denON ENGINEERING CO.,LTD.
- Lighting Setup Support
- PRG JAPAN
- Equipment Support
KAGAMI+ Production Team
- George Aburai
- Show Manager
- Mai Yuda
- Show Manager
- Angus Goodearl
- Tin Drum Production Stage Manager & Additional Lighting
- Harmony Honig
- Tin Drum Production Stage Manager
- Takuro Iwata
- Production Director
- Shuhei Hanai
- Construction Manager
- George Yoda Bodman
- Production Manager
- Ritsu Fukumoto
- VS. Venue Director
- Alec Fellman
- Production Support
- Maria Takeuchi
- Production Support
- Abe Levin
- Production Management Support
- Venue Construction & Fabrication
- 871 DESIGN INC. and GODO Co., Ltd.
Tin Drum Production Team
- David Viecelli
- Exhibitions Manager
- Billions Agency
- Booking Agency
- Ben Chamberlain & Bread and Butter:
- Public Relations
- Alysha Naples
- Original Graphic Design and Audience Choreography
- Shane O’Neill
- Website
- d&b Soundscape
- Sound Experience Technology
- Reese Donohue
- Initial Audio Prototyping
- Aurelien Simon
- Executive Producer NYC & Manchester
Technical Production
- George Fuentes
- Dimensional Production & Artistry
- Yoyo Munk
- Scientist and Mesh Surgeon
- Martin Smith
- Technical Lead
- Ben Winstone
- Server Developer
- Quincy Campbell
- Unity Developer
- Bill O’Donnell and the O’Donnell team, New York City
- Server & IT Specialists
- Pete Short
- Production
Induction Space credits
- Stephen Schible
- Director and Editor of CODA
- Taylor Deupree
- Mastering engineer for “Bach for Airports”
Images
- Ailbhe Ni Bhriain
- Artist, Creator of Inscriptions of an Immense Theatre (2018) elements of which feature in “The Last Emperor.”
- VISITING NY, 1987 From "All Star Video" by Nam June Paik. Photo by Yukihiro Yoshihara. RECORDING SESSION, 1987 Studio Miraval, France. Photo by Yuka Fujii. © Yuka Fuiji
- ALBUM "OUT OF NOISE", 2008 Photo by Kazunali Tajima. © KAB Inc.
- RECORDING SESSION, 1986 Using Fairlight CMI. Photo by Hideki Namai. Courtesy of Nippon Columbia Co., Ltd.
- ACADEMY AWARD, 1988 Best Original Score for "The Last Emperor." © Kyodo/Kyodo News
Yoka KAGAMI Scent
- Developed with Ryuichi Sakamoto
Blended, Directed and Produced by Shinichiro Ogata, Designer/Founder of SIMPLICITY Inez Westerhausen & Yuiko Yoshida: Coordination
For Tin Drum
- James Singer
- Tin Drum Counsel, Partner, Fox Rothschild
- Terrence Kerwin
- Counsel, Fox Rothschild
- Kathleen O’Brien
- Pittsburgh Studio Manager
- Shea Jones
- Accounts
Capture credits (2020)
- Daito Manabe (Rhizomatiks)
- Systems Director
- Takao Inoue (Rhizomatiks)
- Producer
- Naoki Ishizuka (Rhizomatiks)
- Manager
- Shintaro Kamijo (Rhizomatiks)
- Manager
- Muryo Homma (Rhizomatiks)
- Manager
- Hajime Kotani (Crescent)
- Studio Head
- Tadayuki Suzuki (Crescent)
- Takayuki Ochiai (Crescent)
- Fumiaki Kudo (Crescent)
- Yoshitaka Homma (Crescent)
- Rinta Ito (Crescent)
- Kenju Amauchi (Crescent)
- Hisashi Itoh
- Production Coordination, Tin Drum Tokyo
- Yuki Tsuji
- Production Coordination, Tin Drum Tokyo
Creative Production
- David ‘Scooter’ Naney
- Prototyper
- Koki Ibukuro
- Tech Artist
- Sophie Langohr
- 3-D Artist
- Julia Hendrickson
- Video Editor
- Sara Melvin
- Video Editor
- Peadar Gill
- Video Editor
- Dagon James
- Photo Editing
- Mori Arany
- Photo Retouching
Dance Motion Capture Production for MUJI 2020
- MIKIKO (ELEVENPLAY)
- Choreographer
- SARA (ELEVENPLAY)
- Dancer
- Keisuke Kikuchi
- Motion Capture Engineer
- Yoko Shiraiwa (ELEVENPLAY)
- Manager
Software Engineers
- Yuya Hanai (Rhizomatiks)
- Tatsuya Ishii (Rhizomatiks)
- Satoshi Horii (Rhizomatiks)
- You Tanaka (Rhizomatiks)
- Yuta Okuyama
Visual Artists
- Toshihiko Sakata (+Ring)
- Kenta Katsuno (+Ring)
- Takeshi Ozaki (+Ring)
- Tsukasa Iwaki (+Ring)
- Hiroki Miura (+Ring)
- Go Takahashi (+Ring)
- Toru Ehara
- Mitobe Satoshi
- Junichi Ebe
- Yuji Iwaikawa (Cai)
- Kyoko Koyama
- MIDI Data Adjustment Specialist
Test Shoot Participants
- Tatsuki Hayashi
- Pianist
- Gen Terai (KAJIMOTO)
- Pianist Manager
- Kenichi Togawa (Burri)
- Prototyping Studio Designer
Motion Capture Dancers on MUJI 2020
- KOHMEN (ELEVENPLAY)
- SAYA (ELEVENPLAY)
- KAORI (ELEVENPLAY)
- NANAKO (ELEVENPLAY)
- EMMY (ELEVENPLAY)
- SARA (ELEVENPLAY)
- KAi MiWA (ELEVENPLAY)
- Keisuke Kikuchi
- Motion Capture Engineer
- Yoko Shiraiwa (ELEVENPLAY)
- Motion Capture Manager
KAGAMI+ Device Setup Support
- Laboratory of Content-oriented Computational Culture and Arts (Prof. Ryosuke Yamanishi)
- Jotaro Tasaki
- Rikuya Ishibashi
- Reiji Kawashima
- Daiki Sakamoto
- Makoto Nicholas Sasaki
- Kensei Takeuchi
- Terutora Tachibana
- Shoichiro Tokoda
- Takumi Maeda
- Junnosuke Makino
- Masashi Morokuma
- Miyu Yoneda
- Akito Watanabe
- Shunto Osumi
- Sora Fujinaka
- Sota Minato
- Toshiaki Hashizume
- Kyogo Kanda
- Hikari Kishimoto
- Kurumi Imai
- Sakutaro Shimada
- Kei Mishina
Ryuichi Sakamoto + Shiro Takatani TIME, TIME
2024
installation
8.3ch audio, 3 screens and video projectors, water
- Visual Programming
- Ken Furudate
- Sound Programming
- Satoshi Hama
- Sound Supervisor
- ZAK
- Graphic Design
- Takuya Minami
- Dancer, Reading
- Min Tanaka
- Shō player
- Mayumi Miyata
- Noh flute
- Rokurobyoue Fujita, the 11th grand master of Fujita School of Noh flute
- Costume Design
- Sonya Park
- Costume production
- ARTS&SCIENCE
- Filming Assistant
- Shuta Shimmyo
- English translation of “Dream #1” from Ten Nights of Dreams by Natsume Soseki & “Kantan”
- Sam Bett
- Modern Japanese translation of "Kantan"
- Rurihiko Hara
- English translation of “The Butterfly Dream”
- Neo Sora
- Production Management
- Rika Sora (KAB Inc. / KAB America Inc.), Sakurako Takaya (Dumb Type Office)
- Production Assistant
- Mai Yuda (KAB Inc.), Alec Felman (KAB America Inc.), Maria Takeuchi (KAB America Inc.)
- Special thanks to
- Atsushi Ishihara (Madada Inc.)
- Technical Direction
- Takuro Iwata (arsaffix Inc.)
- Hardware Engineer
- Michi Owaki
- Hardware Engineer
- Ryuji Murakawa (arsaffix Inc.)
- Visual Programming Assistant
- Dzikri Rahmat
- Production Coordination
- Chiho Yamada (arsaffix Inc.)
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